Short Synopsis
The definitive account of Blaxploitation cinema—the freewheeling, often shameless, and wildly influential genre—from a distinctive voice in film history and criticism.

Full Synopsis
The definitive account of Blaxploitation cinema—the freewheeling, often shameless, and wildly influential genre—from a distinctive voice in film history and criticism

In 1971, two films grabbed the movie business, shook it up, and launched a genre that would help define the decade. Melvin Van Peebles's Sweet Sweetback's Baadasssss Song, an independently produced film about a male sex worker who beats up cops and gets away, and Gordon Parks's Shaft, a studio-financed film with a killer soundtrack, were huge hits, making millions of dollars. Sweetback upended cultural expectations by having its Black rebel win in the end, and Shaft saved MGM from bankruptcy. Not for the last time did Hollywood discover that Black people went to movies too. The Blaxploitation era was born.

Written by film critic Odie Henderson, Black Caesars and Foxy Cleopatras is a spirited history of a genre and the movies that he grew up watching, which he loves without irony (but with plenty of self-awareness and humor). Blaxploitation was a major trend, but it was never simple. The films mixed self-empowerment with exploitation, base stereotypes with essential representation that spoke to the lives and fantasies of Black viewers. The time is right for a reappraisal, understanding these films in the context of the time, and exploring their lasting influence.

"This exuberant debut from Boston Globe film critic Henderson provides commentary on and social context for 1970s Blaxploitation films. . . . a thoughtful and loving ode to the genre." ---Publishers Weekly

"An enjoyable, funny, and in-depth examination of Blaxploitation films and their influence on contemporary cinema and television." ---Library Journal Starred Review

"This is a celebration of an important era in the history of film, and readers will revel in its joyful tribute to blaxploitation's influential films and their creators." ---Booklist

"[Henderson] meets Blaxploitation where it lives, with respectful irreverence . . . Henderson has a palpable, unstuffy voice, and a point of view, neither of which keep him from taking his subject seriously and addressing it with authority." ---Boston Globe