Short Synopsis
Forty-year entertainment industry veteran Jerry Schilling offers an intimate memoir of his friendship with Elvis Presley, taking readers from the late-night parties at Graceland to the bright lights of Hollywood sets and glittering stages of Las Vegas.

Full Synopsis
Ona lazy Sunday in 1954, twelve-year old Jerry Schilling wandered into a Memphis touch football game, only to discover that his team was quarterbacked by a nineteen-year old Elvis Presley, the local teenage whose first record, "That's All Right," had just debuted on Memphis radio. The two became fast friends, even as Elvis turned into the world's biggest star. In 1964, Elvis invited Jerry to work for him as part of his "Memphis Mafia," and Jerry soon found himself living with Elvis full-time in a Bel Air mansion and, later in his own room at Graceland. Over the next thirteen years Jerry would work for Elvis in various capacities—from bodyguard to photo double to co-executive producer on a karate film. But more than anything else he was Elvis's close friend and confidant: Elvis trusted Jerry with protecting his life when he received death threats, he asked Jerry to drive him and Pricilla to the hospital the day Lisa Marie was born and to accompany him during the famous "lost weekend" when he traveled to meet President Nixon at the White House.

Me and a Guy Named Elvis looks at Presley from a friend's perspective, offering readers the man rather than the icon—including insights into the creative frustrations that lead to Elvis's abuse of prescription medicine and his tragic death. Jerry offers never-before-told stories about life inside Elvis's inner circle and an emotional recounting of the great times, hard times, and unique times he and Elvis shared. These vivid memories will be priceless to Elvis's millions of fans, and the compelling story will fascinate an even wider audience.

"William Dufris could have tried to imitate the well-recognized timbre and intonation of Elvis's voice, but he chose instead only to slightly alter his tone, making Elvis sound more like a person and less like an icon." ---AudioFile